Leslie Shepard on Charles Fort

Although Leslie Shepard (1917 – 2004) was a passionate devotee of early cinema, he  is probably best known today for his books on Dracula, Indian mysticism, the supernatural, paranormal  and British street literature, on which he was a world expert. He was a born collector who amassed a huge library of books and ephemera, much of which is now in academic libraries. The portion  which escaped this fate seems to have been sold at auction over a period of years and it was at auction a couple of years ago that I acquired a large box containing part of his penny ballad archive—possibly the detritus.

It goes without saying that Shepard was a fan of Charles Fort, that indefatigable collector of facts concerning the paranormal, and probably in the 1960s, as he reports in this typed article of 1974, which may have appeared in INFO, a successor to Doubt, the house journal of the American-based Fortean Society, that Shepard was recruited into the latter. Shepard had relished the early issues of Doubt, but in the article he complained that in the later numbers natural skepticism towards scientific dogma was transformed into something:

...almost paranoid , to the extent of suggesting that  reports of successful space travel might be an elaborate hoax.

Vampires in Literature 1

Found in the extensive Peter Haining book and ephemera collection - a xerox of The Vampire in Literature: a Critical Bibliography (edited by Margaret L. Carter, Ann Arbor, Michigan, U.S.A.: Umi Research Press 1989.) Principally a bibliography of vampire fiction in English, but also covering drama, anthologies, nonfiction studies of vampires in literature, and including a checklist of non-English vampire stories readily available in translation. It follows Bleiler in using an alphabetical key to the different types of literature. The most disappointing is category H - '...Vampirism...explained away as a hoax, delusion, or misunderstanding.' Books with  'rationalised' plots are generally avoided by collectors of the supernatural. M.L. Carter does not seemed to have missed a trick, except possibly a genre that occurred more recently - the retelling of a classic story with vampires added…

Al - Vampire as member of a separate species, whether originating on Earth or not. Frequently the text leaves the point of origin unrevealed.  
Examples: Baker, Scott. 'Nightchild'. 1983.
Dicks, Terrance. 'Doctor Who and the State of Decay'. 1981. 

AlH - Alien, humanoid.
Examples: Asprin, Robert Lynn. 'Myth-ing Persons'. 1984.
Baker, Clive. 'Human Remains'. 1984.

AlN - Alien, nonhumanoid.
Examples: Huson, Paul. 'The Keepsake'. 1981. 

An - Vampire animal, as opposed to a human vampire who merely takes animal shape.
Examples: Quiroga, Horacio. 'The Feather Pillow'. 1907.
Dow, Packard. 'The Winged Menace'. 1931. 

Bat - Intelligent bats or bat like or bat-winged humanoids.
Examples: Bradbury, Ray. 'Uncle Einar'. 1947.
Delaney, Samuel R. 'They Fly at Ciron'. 1971.

Bl - Blood-drinking, which qualifies a story, even if not supernatural, for entry if this act is central to the plot.
Examples: Caraker, Mary. 'The Vampires who Loved Beowulf'. 1983. 
Carew, Henry. 'The Vampires of the Andes'. 1925.

C - Vampire has a "cameo" role in a work that is not primality a vampire story.
Examples: Howard, Robert E. 'Conan the Conqueror: The Hyborean Age'. 1950.
Koontz, Dean. 'The Haunted Earth'. 1973. 

Vincent Price sees a ghost..

Found in an anthology of  supernatural encounters by the famous - I Saw a Ghost edited by Ben Noakes (Weidenfeld, 1986)- this account by Vincent Price.

On 15 November 1958 I had an extraordinary glimpse of the unknown  whilst on a flight between Hollywood to New York   I was immersed in a book**  for most of the journey, but at one point, glanced idly out of the window.  To my horror I saw huge, brilliant letters emblazoned across a cloud bank spelling out the message "TYRONE POWER  DEAD".  it was a terrific shock, I began to doubt my senses when I realised that nobody else on the plane appeared to have seen them, but for a few seconds they were definitely there, like huge teletype, lit up with blinding light from within the clouds.  When I landed in New York I was told that Tyrone Power, had died (suddenly) a couple of hours earlier.

**In one account the book is a classic French novel - which might explain something. Also worth noting is that Power was a close friend of Price. The book bears a presentation to the artist Ronald Searle from Noakes. RS contributes a similar piece about being woken up in the South of France  by Laura West Perelman the late wife of his friend Sid Perelman (and sister of Nathaniel West) who announces to him 'Sid is Dead' - the next morning he receives a call telling him that Perelman had been found dead in his hotel room in New York during that same night.