Quest for Fire 'undeserving of translation'

Found with the press cutting about Anthony Burgess inventing a grunt language for the 1980 movie Quest for Fire, this reader's report for Souvenir Press about the possibility of publishing an English translation of the original 1911 book. The report is by the distinguished translator Eric Mosbacher (1903-1998) who had translated Freud and Silone and at the time of the report would have been working on Pitgrilli's novel Cocaine. Not noted is the fact that J.H. Rosny's book  had already been translated by one H.Talbott and had appeared in America in 1967 under the Pantheon imprint. The mention of 'strip cartoons' is fortuitous as the book had appeared in France more than once in this format.

La Guerre du Feu. 
By J. H. Rosny Aine.
Published by Bibliotheque-Charpentier, 11 Rue de Grenelle Paris (1911)

This remarkably uninspired story is totally undeserving of translation, and the Souvenir Press Ltd. should firmly decline it.
It was obviously written many years ago and half-heartedly masquerades as literature, but belongs to a genre which has long since been overtaken by the strip cartoon. The time is prehistoric, thousands and thousands of years ago, when the aurochs and the mammoth still flourished.

A flyer from the Platonist Press

Found - a publisher's flyer loosely inserted in a copy of Kenneth Sylvan Guthrie's  Mithraic Mysteries (Platonist Press, Alpine, N.J 1925.) The Platonist Press seems to have flourished between 1900 and 1930 publishing books on philosophy, occult speculation, mysticism and the occasional work of fantasy fiction (including Guthrie's Bleiler listed A Romance Of Two Centuries. A Tale of the Year 2025 which appeared in 1919.) This flyer is eccentric, oddly surreal and now politically slightly  dubious. It was probably the work of Guthrie. There is little on the Platonist Press and some of these works may be 'ghosts' (i.e they were never published.) They appear to have moved from Alpine, New Jersey to North Yonkers, NY -which puts this advert some time in the 1920s...

SPICY SITUATIONS, and Dr Kenneth Guthrie's REMEDIES
The Board of Education's Examiner had Just turned down the blushing Miss Teacher Candidate. Weeping, she wailed, Is there no hope at all for me? Oh yes; purred he. Try again next year! What could I study in the meanwhile? Dr Guthrie's TEACHERS' PROBLEMS & HOW TO SOLVE THEM, $1.25; 'Value and Limits of the History of Education,' and 'The Mother-Tongue Method of Teaching Modern Languages,' each 30 cents. Will that pass me? Really, Miss, you are too pretty to teach school. Get his Progressive Complete Eduction, or Marriage as the Supreme School of Life, $1.25. And if I pass examination on it? Then I will marry you, Thanks, kind sir!
How a Pessimist Became an Optimist. The theological student had just been preparing a thesis by cribbing the wittiest passages from Discoveries & Insights. Essays Theological, Literary, and of Character-Study, $1. Nettled at the undeserved praise, he blushed at the second-handedness of his religion.

George Hunt Williamson, contactee

Found on the endpapers of Secret Places of the Lion by George Hunt Williamson (Neville Spearman, London 1963)- a  handwritten  note by  the publisher Neville Armstrong (1914- 2008). He was one of the last of the gentlemen publishers, producing books mirroring his own whims and tastes - such subjects as flying saucers, the occult, wrestling, reincarnation, spiritualism, spies, sex, cooking, chess and Spain. In 1955 he began his own imprint, 'Neville Spearman Publishers'. George Hunt Williamson has a good Wikipedia entry. He is described there as a flying saucer contactee, channel, and metaphysical author who came to prominence in the 1950s. His dates were 1926-1986 and  he was also known as Michael d'Obrenovic and Brother Philip. 'Contactees'  are people who claim to have experienced contact with extraterrestrials.

Nevile Armstrong/ Spearman writes:-

George Hunt Williamson('Ric')  was one of the original witnesses to the desert sighting of a UFO by George Adamski 'Flying Saucers Have Landed.' A world bestseller and years ahead of the phoney Erich von Daniken.

 Ric was a personal friend. Many strange things happened when in his company. I recall a wine bottle in my cottage in Upper Hartfield which refused to empty!  After an evening's talk which included my wife, the bottle was still half full. This was a minor happening.

 He also wrote a very strange book, Saint of the Andes. It was a monastery inhabited by  strange people – monks, I think – to which many people& expeditions set out to find. All were unsuccessful.

He was one of my most extraordinary authors but entirely sincere. 

Neville Armstrong 28th March 2004

Reggie Caton (R.A. Caton of Fortune Press)

Discovered in a copy of Raymond Tong’s Angry Decade, a slim volume brought out by the famous Fortune Press in August 1951, is that rarest of objects—a review slip inscribed in the handwriting of the actual  publisher, R. A. Caton—known to his friends (if he had any) as 'Reggie'. Nowadays a publisher’s slip like this would normally be filled in by some unpaid, starry-eyed intern with a B.A.(Hons) in Englit. But much as penny-pinching Reggie would have welcomed free help back in 1951, any new graduate would probably have walked out of his basement HQ in Belgrave Road, before a week had elapsed, so unpleasant, by all accounts, was this particular employer. One Fortune Press author, Margaret Crosland,  told me that Caton looked like 'a second-rate accountant, wearing the traditional dirty raincoat, on his way to a sex shop.'

'The Fortune Press' , Philip Larkin complained in 1945, 'is only a yelping-ground for incompetents who can’t get a hearing elsewhere' . At the time Larkin had just posted his novel Jill to Caton, who was also preparing to bring out his debut collection of poems

Flexible Books from Jonathan Cape

In a little recorded piece of publishing history Jonathan Cape in 1934 issued a series of small books called Flexibles. They were cloth covered books with dust jackets but the covers were much thinner than hardbacks and  flexible. They were a sort of half-way house between paperbacks and hardbacks. The first Penguin paperbacks appeared the next year and may have caused the premature demise of this series after only 10 books. They were quite stylishly presented and pleasant to handle. All were reprints.

 The first in the series Lewis Browne's The Story of the Jews was probably re-issued as a counter to  the rise of Hitler.  Others in the series include Hemingway's Men Without Women (uncommon now especially in the jacket) Joyce's Portrait of the Artist and later Dubliners, followed by Beverley Nichols Twenty-Five. The last 'flexible' was Italian Backgrounds by Edith Wharton, number ten in the series. All came out in 1934 and as far as can be ascertained there was no number eleven. Amazon has this review of the fifth book in the series Sarah Orne Jewett's The Country of the Pointed Firs: 

No plot devices or car chases here--this is a book to read on a rainy afternoon when nostalgia and melancholy threaten to overwhelm. It's comfort food like grandma used to make--reassuring, soul-fortifying, and full of the capacity to cheer. It's also addictive--once you take a bite out of Pointed Firs, you can't stop.

Hope Mirrlees The Counterplot (1925)

Found in the Donald Rudd collection of detective fiction at the back of Death of a Millionaire (Collins 1925) amongst the publishers announcements of forthcoming books this summary of the plot of the very rare Hope Mirrlees novel The Counterplot. These publishers advertisements  are useful to dealers, scholars, collectors etc., as they are able to ascertain what a book is about without the tedium of reading it. Also they are particularly useful for collectors of fantasy to see whether there is any supernatural content. Hope Mirrlees did write one fantasy Lud-in-the Mist published by Collins in 1926. This novel was described by Neil Gaiman as 'one of the greatest fantasy novels ever written.' Her novel The Counterplot contains within it a 100 page play. Hope is also celebrated for her ultra modernist long poem Paris (Hogarth Press 1919).

The Counterplot

The Counterplot is  a study of the literary temperament. Teresa Lane, watching the slow movement of life manifesting itself in the changing interrelations of the family, is teased by the complexity of the spectacle, and comes to realise that her mind will never know peace till, by transposing the problem into art, she has reduced it to its permanent essential factors. So, from the texture of the words, the emotions, the interactions of the life going on around her, she weaves a play , the setting of which is a Spanish convent in the 14th century, and this play performs for her the function that Freud ascribes to dreams, for by it she is enabled to express subconscious desires, to vent repressed irritation, to say things that she is too proud and civilised ever to have said in any other way.