Joan Abbay - Art & The Holy Grail

Found --  a slim volume of poetry from 1927 Lodequest: A Ballad of the Grail (Ancient House, Ipswich 1927) by Herbert Hudson. His wife produced the illustrated cover and also contributed one of the poems. She was Joan Abbay an East Anglian artist, and this is the only example of her work currently online, although it is possible some of her paintings are occasionally sold at auction.

The introduction to the book places the Grail legend in context, quoting from Jessie L Weston's The Quest of the Holy Grail (1913)- (also an influence on a somewhat better known poem*):

Every student of mediaeval literature will bear witness that there were strange current stirring in those days, that more was believed, that more was known than the official guardians of faith and morals cared to admit; that much, very much of this undercurrent of yearning and investigation was concerned with the search for the source of life;

The Hell Hound

Another tale from a rare folklore book M. H. James's Bogie Tales of East Anglia (Pawsey & Hayes, Ipswich 1891). The setting is almost certainly Aldeburgh, a coastal town in Suffolk, now somewhat gentrified but still with its fisherman on the beach (and in the bars) some of whom still have dogs…

                      The Hell Hound 

At the north end of the town of A--- lie the salt marshes, which are sometimes full, like a lake, after rains or the prevalence of of certain winds, and of which there was a sunset view exhibited in London not long ago.Here a favourite walk of the inhabitants leads across a sort of common, planted with a fir grove; by one or other of two paths, one of which goes through the pine wood and emerges near the station; the other leaves the pine wood on the left, and skirts the mere, crossing the line, and leading into a sandy lane between more pine trees. At the sea end of this waste is a 'kissing gate'...and here it is quite likely that the presiding bogie will meet you, if you walk there after dark.

The bogie is a large black dog, with fiery eyes, and a fierce appearance. Do not, however, be afraid of him, if you keep in the path that leads across the 'line', for all will be well, he will walk 'to heel' as a good dog should, and will only make you feel rather nervous by his odd silent trot; but if you want to go the other way he will show you what he thinks by an awful growling, he will stand in your path and show his teeth,

A Were-Dog Story

Among Peter Haining's books we found this folklore rarity Bogie tales of East Anglia by M. H. James (Ipswich, 1891) - from it comes this slightly  disturbing tale. What the Italian was doing in Lowestoft is anybody's guess.

This tale, which runs as follows, is still common talk among the beach men at Lowestoft. An Italian gentleman, with curly hair and a very dark complexion, asked a fisher-boy of Lowestoft, to become his page, but this the boy refused, as he did not wish to go forge in parts; whereupon the Italian, far from being angry, asked the boy to look after a dog for him, as he was going ways.

Now, the dog had been seen in the town, and its ownership was well known, though, strange to say, the dog and his master had never been seen together. It was a fine dog, a large, curly black retriever, very long and lean.

When the fisher-boy found the gentleman had really gone away, he began to look after the dog, for which he had been very handsomely paid beforehand. Every morning the boy, who was fourteen years old, went out to swim in the sea, and the dog went with him.

Paul Nash bookplate for art collector Samuel Courtauld

Found - a loose bookplate by Paul Nash  for the industrialist and art collector Samuel Courtauld. Produced around 1930, it measures a sizeable 13 by 9.5 cms, probably intended mainly for art books and livres d'artistes. The writer and broadcaster Lance Sieveking writes in his autobiography The Eye of the Beholder (Hulton Press, London, 1957) -'Sam Courtauld and Paul met at a dinner party I gave at Number 15 The Street, and Courtauld persuaded Paul to design a book plate for him. The result was one of the most charming he ever made.' The engraving is said to be the only one initialled by Paul Nash on the block. The bookplate is quite scarce as, presumably, it is mostly found in books held at the Courtauld Institute; few have entered the used book trade.

The woodcut is British Surrealist in style with an echo of Cubism and Vorticism - both movements had earlier attracted Nash. Samuel Courtauld's family fortune came from the textile industry (rayon), hence the bobbin and threads. The French flag refers to the origins of the name Courtauld, a French Huguenot family whose early descendant was the celebrated goldsmith Augustine Courtauld. The Courtauld textile industry was based in Braintree and Halstead in Essex. The view through the frame shows what appears to be a Martello Tower - these are closely associated with the  East Anglian Coast.