Showing posts with label Tea. Show all posts
Showing posts with label Tea. Show all posts

Thursday, October 22, 2015

Tea Room Management

From - The Fingerpost: A Guide to Professions for Educated Women, with Information as to Necessary Training. (Central Bureau for the Employment of Women. 1906.) A useful guide to the practicalities and economics for women considering opening a tea room at the dawn of the 20th century. A persistent dream, in one Agatha Christie story (Miss Marple?) a woman is willing to bump off several relatives to get the money to open a tea room..


Tea-Room Management. Gertrude Limb.

In choosing a suitable place for a tea-room, it is wise to bear in mind two things: position, and the number of residents and visitors who may by customers. Even if an extra outlay of capital is required, I am convoked that it is well spent on a good position. The old adage, "Out of sight, out of mind", is especially applicable to a tea-shop. Then it is "the number that pays," and it is best t choose a place favoured by tourists as well as residents, and if it is place by the sea where boards call, so much the better.

To open a tea-shop without previous experience and training will in all probability spell failure, for to be able to make tea charmingly in one's own drawing-room does not necessarily mean that one has all the many gifts necessary for success in business. Embryo pupils write to me - "I am considered attractive socially." "I have made cakes at home for year." "I have good taste, with a correct eye for form and colour,"

Tuesday, December 23, 2014

Margaret Mackenzies Tea Rooms in Florence


Found in a Tauchnitz edition of Barry Pain's Stories in Grey (Leipzig 1912) this bookmark advertising an English tea room in Florence at 5 Piazza Strozzi. It served 'Light Luncheons, Home Made Bread' with 'Best Teas on sale as used in Tea Room.' It also provided  English and American newspapers, a telephone and 'Writing Tables for use of customers' and may have flourished around 1920. The internet shows no trace of Miss Mackenzie's possibly short lived enterprise. Contemporary Baedeker's may mention it...The only clue is that the address was slightly later that of a publisher T de Marinis & Co who in 1925 published a book of  reproductions of illuminated manuscripts with English text. It was published jointly  with Bernard Quaritch of London. 

Tuesday, October 22, 2013

The correct British way to make tea

From The New Illustrated Universal Reference Book (Odhams, London 1933). It called itself 'the book of a million facts' and was a sort of Google of its day. It advertised itself as covering 'the main interests of humanity…no essential subject is left out.' To test this I checked if it had instructions for making tea, as few things are more essential. Sure enough a third of the way through at page 414 it has this:

TO MAKE GOOD TEA

It is the easiest thing in the world, yet nine people out of 10 do not manage to make a success of it. First of all the water must be freshly drawn from the tap. That left already in the kettle is flat and lifeless. It must be quickly boiled and poured over the tea just as it reaches boiling point. Give preference to a pot of either earthenware or aluminium ware, as the two kinds that make the best brew, and let the pot be thoroughly heated before the tea is put in. This is generally accomplished by pouring boiling water into the pot and then pouring it out again. A way that comes to us from China, and an excellent way too, is to put the tea into a perfectly dry pot, and let pot and leaves get hot together by leaving it on the rack or any other warm place.

That's it. They might have added the measurements - usually one heaped teaspoon for each person and 'one for the pot.' Once the water has been poured (during a 'rolling boil') 4 or 5 minutes is the brewing time and a tea cosy can be used - but they seem to have fallen from favour. The fresh water should be taken ('drawn') from the cold tap; the Queen Mother is said to have had her tea made with still Malvern water.
The pouring of the water while it is boiling is the quintessential bit. The writer Kyril Bonfiglioli, in one of his Jersey based thrillers, has a character say something along the lines of 'you can kill me or you can give me tea made with water that hasn't come to the boil…'

Monday, August 5, 2013

I once had tea with ….Geoffrey Hill

Sent in by faithful jotter RMH. Fans of Nobel Prize winner Heaney might be peeved by his closing remarks but c'est la guerre...


I once had tea with ….Geoffrey Hill

Our Greatest Living Poet is not known for his bonhomie, but on this particular occasion the man who while teaching at Cambridge was often seen moping around with an expression that made him look ( according to one colleague ) 'as if he had been raped by God', showed a more buoyant side to his personality. It was around 1993 and my dear friend, the late lamented Patricia Huskisson ( a descendant of  the unfortunate Tory minister who was run over by a locomotive in 1830), lived in the next village and had invited me to meet the famous poet. I had contemplated bringing along my copy of Mercian Hymns, arguably the best poetry collection to appear for the past 40 years, for him to sign. I can’t remember if I actually took the book along to the meeting, but when I arrived it was obvious that this was not the occasion for a demonstration of cheap fan worship.

Hill was already there and so was Patricia’s old friend Guy Lee, the Latinist and translator of Ovid. Tea, which featured the usual mountain of sandwiches and cakes, was brought and although I cannot recall any scholarly bon mots from the mouth of Hill, I seem to remember him laughing on at least two occasions, which from the author of Tenebrae, seemed to me unexpected .

More unexpected still was the appearance of Hill in front of Patricia’s square piano, where he and Guy proceeded to play a duet---a baroque piece, I seem to recall. The whole meeting lasted no more than an hour. Our Greatest Living Poet ( sorry, Seamus, but you’re not in the same league ) left before I could ask him any serious literary questions.[RMH]