
tales’, which he was hawking around in April 1991 as a potential Christmas book.
Haining’s introductory presentation to one publisher
promised stories by ‘a veritable galaxy of star names ‘ in which ‘ fiction
outweighed the fact ‘. Some of these stories would be presented by their
authors as ’ ostensibly true ‘ while others would be ’ unashamedly fictitious’.
Some of the material that he intended to reproduce included
Spike Milligan’s ‘Agent 008’, Lord Dunsany’s ‘The Electric King’, Baron Corvo’s
‘ How I was buried alive’,
Charles Dickens’ ‘’The Wide-awake Club’, Tom Sharpe’s ‘
Disaster in the Deep Bed’, Fitz James O’ Brien’s ‘ How I achieved perpetual
motion’, Stephen Leacock’s ‘ The iron man and the tin woman’, and
G.K.Chesterton’s ‘ The Club of Queer Trades.’