Sir Edward Bond—the man who transformed the British Museum Library

There aren’t many librarian superstars. Casanova was one, I suppose, but he was better known for his extra-mural activities. Panizzi of the British Museum was possibly another, but a successor, Sir Edward Augustus Bond (1815 -98), was arguably a greater innovator and was certainly more industrious.

Bond proved that if you had natural talent and were hard working and dedicated, you didn’t need a university education to get to the top in the British Museum at least—though this institution was an exception to the general rule that an Oxbridge degree was de rigueur for a career in the world of Victorian scholarship. Bond earned his spurs and his reputation as a gifted palaeographer, especially in Anglo-Saxon, while in the manuscript department of the Museum, which he had joined directly from school at the age of 17 in 1832. Although he ended up as Keeper of the department in 1867, he was expected to remain there until his retirement,

A Johnson and Boswell scholar at the front 1918

From the introduction to R.W. Chapman's scholarly edition of Johnson's Journey to the Western Islands of Scotland... (Oxford 1924.) Chapman survived World War One. While a generation of great  scholars were killed and many books and academic projects were never completed Chapman actually managed to work on editing Boswell while soldiering at the Macedonia front - as he explains.

In the fine tradition of the soldier/scholar he always travelled with his Horace (Odes); just after the war he wrote The Portrait of a Scholar and Other Essays Written in Macedonia 1916-1918 (Oxford University Press, 1920.) He collected silver spoons, and on that subject he regarded 'the speech of Eton and Christ Church as the most beautiful of earthly sounds...' Returning from the Eastern front he stated that there were 'few more exciting pursuits than textual criticism.' He also edited Jane Austen, for which he is now chiefly known.

Mountain gun at Macedonia Front in World War 1

This edition was planned, and in great part executed, in Macedonia, in the summer of 1918. I had a camp behind Smol Hill, on the left bank of the Vardar, and a six inch gun (Mark XI, a naval piece, on an improvised carriage; 'very rare in this state'), with which I made a demonstration in aid of the French and Greek armies, when they stormed the heights beyond the river; I think in June.