Point It Out: The Picture Speech For All Nations

Found - a handy little book Point It Out: The Picture Speech For All Nations by one Walter Sefton. It was published 'by authority of the War Office Welfare Department' (Leicester, 1944.) The title page notes that the book was '…designed to make help all men and women of the Allied Services in making their needs easily understood in foreign countries - a guide and comfort and friend when in any difficulty.' This type of book is still published (The Wordless Travel Book and the Point it Traveller's Language Kit),and there may even be an app - although now people probably just find an image on their phones and show it to a helpful foreigner..

The page shown is for use on board a steamship, possibly to answer requests such as 'Where is my car?' and 'Can I smoke in the bar?' 'I need a rug for sitting on the deck chair' and 'Where is the ship's library?'

Occupation: Female Companion

Joan Fontaine in 'Rebecca'

Found in  The Fingerpost: A Guide to Professions for Educated Women, with Information as to Necessary Training (Central Bureau for the Employment of Women,1906) an article about getting work as a female companion. It suggests that the occupation, often found in thrillers and novels up to the late 1930s, hardly existed even in 1906. Vere Cochran, the writer of this piece, says that the profession was at its height in early Victorian times when 'semi invalidism' was a

prevailing fashion. 'Who (now) can afford the doubtful luxury of a paid companion?' One of the most notable companions in fiction is the unnamed narrator of Daphne du Maurier's Rebecca (1938) While working as the companion to a wealthy American woman on holiday in Monte Carlo she meets the rich and troubled widower Max de Winter who whisks her off to his country mansion Manderley...

"Companion, Housekeeper, or any position of trust - I could undertake work of this kind". 

If the many seekers after work who open their campaign with these words could gauge their true import, or the effect which they produce, they would not so lightly use them. Few words could more clearly display their ignorance with regard to the conditions of the labour market;

John Thomas Smith as Hamlet

‘The Keeper of the prints showing A.E.C. how the Balcony scene should be performed' (Pen and ink drawing by Edward Chalon)

One of the most famous Keepers of Prints at the British Museum was John Thomas Smith (1760 - 1833), who was also a gifted amateur artist, an antiquary, and a writer on art and artists, whose two most acclaimed books were the scurrilous Nollekens and his Times (1828) and the exceedingly scarce and sought after Vagabondiana (1817), which contains forty or more etchings of well known mendicants in the metropolis based on his own sketches.

But in his early days Smith had hopes of becoming an actor, and in 1787 was promised an engagement with the Royalty Theatre in London. Unfortunately, this fell through and he set up as a drawing master instead. But if the portraitist Alfred Edward Chalon (1780 – 1860) is to be believed, Smith retained an interest in performing throughout his life. Here we have a pen and ink drawing

The Yellow Perils - Yokohama F.C. (1909)

'The idea of Japs playing football ----in the English Cup too- struck them as being intensely amusing …'

So wrote the sports writer William Pollock of the fans and players before the match in his short story 'The Yellow Perils' which appeared in the  January 28th 1909 number of Pearson’s Weekly. It’s also unlikely that these same sceptics would have backed a Japanese rugby team to beat the South Africans in the 2015 World Cup in England.

'The Yellow Perils' is a fictional account of the exploits of a visiting soccer team, Yokohama F.C. in pursuit of The English Cup, where their extraordinary success in trouncing not only a few lowly London teams, such as Hammersmith Rovers and Shepherd’s Bush, but also such League One titans as Chelsea, Aston Villa, Newcastle United, Tottenham Hotspur, and Manchester City, astounded everyone who witnessed them play.

To those who watched the humbling of such a famous team as Chelsea,

Literary scams and pitfalls(1906)

Found in The Fingerpost: A Guide to Professions for Educated Women, with Information as to Necessary Training (Central Bureau for the Employment of Women. 1906) an article called 'Literary Catchpennies' which outlines various scams played on would be writers of the time. Some of these scams, often for bigger stakes, are still with us on the web.

Literary Catchpennies

The perennial literary advertisement trick is, perhaps, the most specious of all. A "Publishing Firm" will offer to consider MSS. sent to Box so-and-so at the offices of the paper in which the advertisements appears. Or the advertisement asks for some specified requires a fee; sometimes he merely swallows all the MSS. sent to him and is heard of no more. A plausible gentleman, with an office in London, extracted from a struggling authoress of my acquaintance a fee of 10s. 6d. for the purpose of making copies of a little tale of hers for the American Press.

The £10 a year Professor----academic privations in post WW1 Austria

When the Austro-Hungarian empire was dissolved following the end of World War One the new nation of Austria came into being. The economic consequences for this country was a drastic devaluation of the krone (or Crown) and inevitable hyperinflation. The following short article in the December 1921 issue of the University College Magazine is a chilling report of the privations suffered by academics in Austria and other countries in central Europe:

As a result of the privations which they had to undergo, ten per cent of the professors in Austria died between1918 – 20. Consumption is usually the first symptom---and that means the end is not very far off when there are no supplies of fresh milk and nourishing food, with nothing but a chilly room in the heart of winter, and no fire in the grate.
On October 15th 1921, one tin of milk in Vienna cost kr. 240, and today, since the appalling crash of the krone, probably costs 500 at least. A professor’s weekly salary therefore would be entirely expended on the purchase of three tins of milk.
The case of a Professor of Egyptology---met personally by the present writer in Vienna—is typical of many.

I once met….John Heath-Stubbs

John Heath-Stubbs by Patrick Swift

Coming across a copy of a relatively recent booklet entitled The Guide to Bayswater (Sunrise Press) I turned to the page on Artesian wells which  accounted for much of the water supply to Bayswater in the early nineteenth century. The next entry was on Artesian Road, which reminded me of a visit to the poet and critic John Heath-Stubbs circa 1994. I think I must have got his address and phone number from Who’s Who.

I knew little about him as a person, apart from the fact that he was blind and had a very large head. I didn’t much enjoy his poetry, but was interested in hearing his views on Geoffrey Grigson, on whom I was writing a biography-- not because either of them had seriously clashed in print or in person, but because Heath-Stubbs was part of the neo-Romantic reaction to Auden and his generation, of which Grigson was a member, and also perhaps because the latter had violently attacked two neo-romantic poets—George Barker and Dylan Thomas, and inter alia their literary mentor, Edith Sitwell.

Looking back over twenty years, all I can recall of our conversation was the fact that Heath-Stubbs defended the poetic aesthetic of Sitwell, which I had decried, and that he showed a degree of irritation with the more extreme manifestations of neo-romanticism.

The Beatles as a religious cult

Found in Photoplay- A British Film Magazine from March 1964, this piece by Ken Ferguson who appears to have been the magazine's editor. It was called 'Are the Beatles a Religion' and has soundbites from fans, vicars (who had more of a voice in 1964) teachers, impresarios and the lads themselves. The 'Adam' referred to is Adam Faith, a pop star of the time. 'Cliff', of course, is Cliff Richard…here is an abridged version:



Beatlemania, is a form of hysterical worship instigated by four young men who call themselves The Beatles. John, Paul, George, Ringo have written themselves into musical history with their savage, pulsating, hypnotic sound.

The other evening I felt the full blast and fury of Beatlemania as I sat in a theatre along with almost 2000 screaming, hysterical worshippers of the Beatles. It was fantastic. On stage, the four boys moved their lips and went through the motions of a performance but nothing could be heard above the roars of mass appreciation. How did it begin? Why did it begin? Where will it end?

It began in Liverpool as we all know, in a small club which has now become a shrine - The Cavern. Why did it begin?Simply because the older idols of the pop business, the Cliffs and the Elvises were growing up fast and so were their fans. The screams had weakened.

Those who were just entering their teens needed someone new to scream about… They demanded a new idol and they almost cried out for a new cult. Not since the birth of the rock era with Bill Haley, did they have something new to idolise, apart from the eras of Presley, Richard and Faith

Schoolboy exam howlers through the ages

These were being published in books from at least the late nineteenth century. Peter Haining, most of whose archive we now hold, collected a number of them for a projected book. Here are some examples he found. The first were sent in for a prize competition of c1900, the second bunch was assembled by Charlie James from a northern comprehensive school in 1987 and the third lot of howlers has a more international flavour:

1900

Ben Johnson was the man who wrote a life of Bothwell. Bothwell was the man who murdered Mary Queen of Scots.

The fire of London, although looked on at first as a calamity, really did a great deal of good. It purified the city from the dregs of the plague and burnt down 89 churches.

 Edward III would have been King of France if his mother had been a man.

When will you expect an eclipse of the sun to take place?
In the night.

The sun never sets on English possessions because the sun sets in the west and our colonies are in the north, south and east.

The zebra is like the horse, only striped, and is chiefly used to illustrate the letter Z.

Tea Room Management

From - The Fingerpost: A Guide to Professions for Educated Women, with Information as to Necessary Training. (Central Bureau for the Employment of Women. 1906.) A useful guide to the practicalities and economics for women considering opening a tea room at the dawn of the 20th century. A persistent dream, in one Agatha Christie story (Miss Marple?) a woman is willing to bump off several relatives to get the money to open a tea room..


Tea-Room Management. Gertrude Limb.

In choosing a suitable place for a tea-room, it is wise to bear in mind two things: position, and the number of residents and visitors who may by customers. Even if an extra outlay of capital is required, I am convoked that it is well spent on a good position. The old adage, "Out of sight, out of mind", is especially applicable to a tea-shop. Then it is "the number that pays," and it is best t choose a place favoured by tourists as well as residents, and if it is place by the sea where boards call, so much the better.

To open a tea-shop without previous experience and training will in all probability spell failure, for to be able to make tea charmingly in one's own drawing-room does not necessarily mean that one has all the many gifts necessary for success in business. Embryo pupils write to me - "I am considered attractive socially." "I have made cakes at home for year." "I have good taste, with a correct eye for form and colour,"

Color TV in 1953 !!

Found in the fascinating El Mundo photo archive is this shot of a ‘pretty girl tuning in a colorcast on a color video receiver ‘before the assembled American press on 17th December   1953. This was a prototype; commercial broadcasting in color began the following year. I don’t know when TV reached Argentina, let along colour TV, but British viewers were only offered colour in 1967, nearly 14 years after it had been unveiled in the States. Apparently, colour had been in development across the Atlantic from the earliest days of TV but due to technical and other problems, the service was delayed for many years.

My own family were initiated into the TV age in 1951—before the Coronation—when my mother was given a leaving present of a new sixty guinea Bush receiver by a grateful employer. But if someone had told us in 1954 that in America families were gathering around

The most nourishing soup

A pot of Rumford’s Soup from the basic recipe: pearl barley and dried peas, water, salt, some vinegar (no potatoes). Thanks to Gestumblindi.

Found - an 'extract' from a book about food with a recipe for pearl barley soup. This piece appears in various forms throughout the 19th century but derives from work with the poor by Benjamin Thompson (Count Rumford)  when he was army minister in Bavaria in the 1790s. Rumford was an American ennobled by the courts of Europe because of his pioneer discoveries in cooking.The soup is sometimes known as Rumford's Soup. He wrote:

The difference in the apparent goodness, or the palatableness, and apparent nutritiousness of the same kinds of food, when prepared or cooked in different ways struck me very forcibly and I constantly found that the richness or quality of a soup depended more upon a proper
choice of the ingredients and a proper management of the fire in the combination of those ingredients, than upon the quantity of solid nutritious matter employed ;— much more upon the art and skill of the cook, than upon the amount of the sums laid out in the market.

I found, likewise, that the nutritiousness of a soup, or its power of satisfying hunger, and affording nourishment, appeared always to be in proportion to its apparent richness or palatableness. But what surprised me not a little, was a discovery of the very small quantity of solid food, which, when properly prepared, will suffice to satisfy hunger, and support life and health ; and the very trifling expense at which the stoutest and most laborious man may, in any country, be fed.

After an experience of more than five years in feeding the poor

Amateur Journalism and Vanity Publishing (1880)

Found - Journals and Journalism (with a guide for literary beginners) published by the Leadenhall Press (London 1880.) The author is stated as 'John Oldcastle' - a pseudonym of Wilfrid Meynell (1852-1948) who became a newspaper publisher and editor. It is likely that the book appeared because at the time journalism was all the rage, like photography in the 1960s or developing apps now…It is full of good advice, occasionally caustic in tone, and starts out with a warning to 'amateurs'. The final part of this extract from the first chapter deals with vanity publishing scams, and refers to an amusing scandal when one scammer sued another. These 'bubbles' were then common and are still with us on the internet. The entire text can be found at Brewster Kahle's incredible expanding Internet Archive.

Even more fatally amateurish is the practice, not uncommon with beginners, of addressing a more or less gushing note to an editor, disclaiming any wish for remuneration, and intimating that the honour of appearing in his valuable paper is all the reward that is asked. A contribution that is worth printing is worth paying for; and to an established paper the trifling sum due for any ordinary article is a matter of no consequence whatever — a mere drop in the bucket

The Suicide of Henry Symons----bookman of the British Museum

“There is a Museum story that when a member of the staff committed suicide in this room ( the Cracherode) by shooting himself his superior’s first reaction was : ‘Did he damage the book bindings ?”

It sounds like one of those apocryphal remarks that are handed down from employee to employee through the decades in great institutions , but according to Barry C Johnson, author of a booklet entitled, A British Museum Legend (privately printed 1984), it was probably a genuine expression of concern by the Keeper of Books for his valuable  charges. The suicide in question had taken place in 1922, but as Johnson remarks in his account of the events leading up to the tragedy, no-one he spoke to about the event could recall the name of the unfortunate Assistant Keeper.

His name was, in fact, Henry Symons, and it would seem that he was a well liked and respected figure both at work and at home, though contemporaries agree that he was very reserved and essentially a loner. His low profile at the BM combined with the fact that he doesn’t seem to have published anything of note, or left any personal diaries and only a few letters, made the job of Johnson as biographer, a challenging one,

Live poetry 1967 (Pete Roche)

Found - a 1967 Corgi paperback Love, love, love: the new love poetry. It was edited by Pete Roche the subject of a recent jot where he wrote disparagingly of the Cavern Club (1964). Three years later in the height of the Hippie era we find him editing this attractive book with psychedelic
covers by Haphash and the Coloured Coat. His introduction celebrates the revival of 'live' poetry - which is still going strong. There follows a poem by him, other contributors included Adrian Henri, Adrian Mitchell, Roger McGough, Carlyle Reedy, Libby Houston, Spike Hawkins, Brian Patten...

… the recent increase in the popularity of poetry readings, particularly among younger people. The success in this respect of the Liverpool poets (all of whom are included here) and of what has been called The Great Liverpool Experiment have already been well documented.